By Richard J. S. Gutman: In this article, the leading authority on the history and architecture of diners, Richard Gutman, details and comments upon his research and several of the more than 1,000 items he has collected and which are now part of the The Henry Ford in Dearborn, Michigan.

Signs, signs, everywhere there are signs. Like most hip and creative U.S. communities, Nashville, aka Music City, has an almost embarrassing treasure of colorful and imaginative signage of all ilk and sizes.

Here are some of the amusement or theme park photos I’ve collected over the last ten years. Unidentified locations may be smaller venues such as carnivals or fairs. For those unknown images, email edwardengel@yahoo.com with any clues to identification.

Hudson Valley resident Mary Anne Erickson combines her passion for color, beauty, design, and fine taste in documenting the demise of the American roadside culture of “Mom and Pop” establishments.

A common criticism of roadside buildings is that, from an architectural perspective, they’re not impressive creations. That statement, however, is not always valid. Bertrand “Bud” Goldberg is a fascinating example of a famed architect who initially displayed considerable design talents in small-scale commercial structures.

FULL ARTICLE by Tracey Pemberton and Mike Elmore – In 1908, an elaborate advertisement rose above the others at Seattle’s Pike Place Market. Protruding outward from the top of the stall and looming over the heads of shoppers, the Manning brothers promised “Coffee Served Hot,” with small cups of coffee that cost just 2¢ and large cups priced at 4¢. An empire was born.

Anne of Green Gables was published in 1908 and achieved instant acclaim. Much of the appeal was the creation of Anne Shirley — a spunky, independent, and intelligent heroine with a fertile imagination. No fictional character has ever contributed so dominantly to a province’s tourism as red-haired, pig-tailed Anne.

Large fish advertise a fishing tackle shop in Hayward, Wisconsin.

FULL ARTICLE by Jim Van Buskirk and Al Barna – Gay bars were usually hidden, unmarked enclaves for only those in the know. Marginalized, they were frequently found in underdeveloped or industrial sections of a town or well off the beaten path. Often veiled behind tinted glass, the bars tended to hide the goings-on within from the general public—and the police.